Happy New Year!
The new year has begun and there's always a lot of soul searching, resolution making, and bad habits that are going to be fixed. That usually lasts anywhere from a couple of weeks to a couple of months, then it's back to the same old, same old. Here are a few suggestions to help you get started.
New Strings.
If your strings have not been changed since last New Year's, now's the time. New strings make your guitar sound better and they're not rusty or caked with gook. While you have them off, clean the fingerboard. I use Gibson Fingerboard conditioner which cleans the wood and adds a little moisture.
New Books or Songs.
Are you still practicing the same songs you were playing months ago? Congratulations, you've found your comfort zone! The bad news is, you're not making any progress. Yes, it's fun to play songs you know well, no, you shouldn't forget about them. Think about how excited you were when you first started to play them and how happy you are now that they're polished up and ready for public consumption. Get yourself a new book, or pick out a new song and challenge yourself a little. Maybe a different genre or something that's more technically challenging to get you to the next level.
New Guitar.
Is your old guitar kind of clunky? Does it make you want to sit down and play it or have you gotten to where you really don't like that make or model any more? If you can afford it, treat yourself to a new one. Or if you do like it, try something different. Maybe a classical guitar, a 12 string, an acoustic if you only play electric, you get the idea.
So have a wonderful New Year and dig back into playing and practicing your guitar!
Saturday, January 5, 2013
Monday, November 26, 2012
Finger Picks and Thumb Picks
How do you know if you should use finger picks or thumb picks?
Many fingerstyle guitar players use them, and many don't. As I was learning to play and started to play the acoustic guitar into a microphone, it became more of a necessity if I was going to control the volume and tone. Like other beginning guitarists, I started out using bare fingers which were fine for playing at home, but when I needed more volume and balance it just didn't work. Next came just the thumb pick, and that made bass notes that overpowered the treble strings. After several attempts I decided one pick on my thumb and one pick on my index and middle finger was the solution.
Can't I just grow my nails longer?
A lot of people do that, but I really hate having long fingernails. For some really cool videos and advice, I'd recommend you visit http://www.jamestaylor.com/guitarlessons/ to see what James goes through to play with bare fingers. One of my guitar students recommended the site which is not only interesting but very well made. Check it out! (I love the camera they have inside the sound hole so you can clearly see how he picks.)
What kind of picks should I use?
Everyone's different, so my best advice would be to experiment and see what works for you. I use Zookies thumbpicks which have a 10 degree angle, and Dunlop .0225 picks for the fingers. You can watch my short instructional video here: Fingerpicking Guitar Lesson.
Be patient when using the picks.
I tried several times before I could get comfortable with the picks since you have no feeling with them. Once you commit to using them, use them all the time. Switching back and forth from picks to fingers will make it even more awkward and more difficult to get used to them.
Many fingerstyle guitar players use them, and many don't. As I was learning to play and started to play the acoustic guitar into a microphone, it became more of a necessity if I was going to control the volume and tone. Like other beginning guitarists, I started out using bare fingers which were fine for playing at home, but when I needed more volume and balance it just didn't work. Next came just the thumb pick, and that made bass notes that overpowered the treble strings. After several attempts I decided one pick on my thumb and one pick on my index and middle finger was the solution.
Can't I just grow my nails longer?
A lot of people do that, but I really hate having long fingernails. For some really cool videos and advice, I'd recommend you visit http://www.jamestaylor.com/guitarlessons/ to see what James goes through to play with bare fingers. One of my guitar students recommended the site which is not only interesting but very well made. Check it out! (I love the camera they have inside the sound hole so you can clearly see how he picks.)
What kind of picks should I use?
Everyone's different, so my best advice would be to experiment and see what works for you. I use Zookies thumbpicks which have a 10 degree angle, and Dunlop .0225 picks for the fingers. You can watch my short instructional video here: Fingerpicking Guitar Lesson.
Be patient when using the picks.
I tried several times before I could get comfortable with the picks since you have no feeling with them. Once you commit to using them, use them all the time. Switching back and forth from picks to fingers will make it even more awkward and more difficult to get used to them.
Thursday, October 11, 2012
Avoiding Tension and Sore Muscles
Are you supposed to be in pain when you play?
I get that question a lot, and while your fingers may get sore and your hands may be tired in the beginning, being in pain usually has to do with a mechanical problem. Let's look at some of the reasons you could be experiencing unnecessary pain or soreness.
Where do you practice, and where is your music?
I've had students tell me they practice in a recliner, sitting on the edge of the bed, or on a nice, comfy couch. So where do you put the music? "On the floor, on the coffee table, or on the side of the bed." A basic music stand costs about $15, go get one now! Set it up where there's plenty of light, get yourself a nice chair with no arms, and practice in a room where there are no distractions. One banjo student even told me he practiced with the radio on the background, tuned to a station that had nothing to do with banjos or bluegrass music.
Relax your picking hand.
Beginning guitar students tend to hold the pick tightly so they don't drop it. You need to hold it tight enough so that it doesn't wriggle around, but no so it feels like you're making a fist or squeezing it. A medium gauge pick is probably a good choice, but picks are cheap, buy some different thicknesses, sizes and shapes. I use Jim Dunlop nylon picks with little bumps on them to keep them from spinning around or feeling slick. This is really important if you play outside in hot, humid conditions.
The fretting hand can relax as well.
When you first start learning you do have to hold the strings down using a lot of pressure, but as your fingers toughen up you don't have to push so hard. My students tell me it doesn't look like I'm pushing that hard and that's because I'm not. Yes, there are certain chords and fingerings that require more pressure, but it's not as bad as you think.
Sit up straight and hold the guitar correctly.
Again, this eases tension and makes it less difficult to get nice, clear notes and chords. If you're not sure how to sit, there are pictures and descriptions in almost any guitar instruction book or on the internet. Have your guitar teacher help you sit and hold the guitar correctly, you'll be amazed at what a difference it makes.
I get that question a lot, and while your fingers may get sore and your hands may be tired in the beginning, being in pain usually has to do with a mechanical problem. Let's look at some of the reasons you could be experiencing unnecessary pain or soreness.
Where do you practice, and where is your music?
I've had students tell me they practice in a recliner, sitting on the edge of the bed, or on a nice, comfy couch. So where do you put the music? "On the floor, on the coffee table, or on the side of the bed." A basic music stand costs about $15, go get one now! Set it up where there's plenty of light, get yourself a nice chair with no arms, and practice in a room where there are no distractions. One banjo student even told me he practiced with the radio on the background, tuned to a station that had nothing to do with banjos or bluegrass music.
Relax your picking hand.
Beginning guitar students tend to hold the pick tightly so they don't drop it. You need to hold it tight enough so that it doesn't wriggle around, but no so it feels like you're making a fist or squeezing it. A medium gauge pick is probably a good choice, but picks are cheap, buy some different thicknesses, sizes and shapes. I use Jim Dunlop nylon picks with little bumps on them to keep them from spinning around or feeling slick. This is really important if you play outside in hot, humid conditions.
The fretting hand can relax as well.
When you first start learning you do have to hold the strings down using a lot of pressure, but as your fingers toughen up you don't have to push so hard. My students tell me it doesn't look like I'm pushing that hard and that's because I'm not. Yes, there are certain chords and fingerings that require more pressure, but it's not as bad as you think.
Sit up straight and hold the guitar correctly.
Again, this eases tension and makes it less difficult to get nice, clear notes and chords. If you're not sure how to sit, there are pictures and descriptions in almost any guitar instruction book or on the internet. Have your guitar teacher help you sit and hold the guitar correctly, you'll be amazed at what a difference it makes.
Friday, September 21, 2012
Make a To Do List, Set Some Goals and Focus
How to start making progress again.
It happens to the best of us. We're learning songs, working on technique, feel like we're getting somewhere, and then we hit the proverbial brick wall! We seem to be getting worse instead of better, our motivation's taken a serious hit, and we're starting to wonder if this is as good as we'll ever be able to play. I see and hear this from my students all the time, and experience it myself too.
First things first, take a break.
It sounds wrong, but sometimes the best thing you can do is walk away. Take a few days or even a week or so and just do something else. My feeling is that we still practice in our subconscious mind, and taking a break is the same as going on vacation and not thinking about work. I've quit playing and working on a song and actually been able to play it better after leaving it alone for a while.
Make a to do list.
Record yourself, listen to how you sound, and make a to do list of things to work on. We're all our own worst critics, so be critical and write out exactly what was good and what needed improvement.
Set some goals for yourself.
After you've listened and critiqued yourself, set a deadline. Decide you'll master what you're working on, and hold yourself accountable. Be realistic and reasonable, but be hard on yourself as well. With a specific time frame in mind, your motivation will definitely improve.
Focus.
Now that you have the to do list and goals in place, work on being in focus. It's way too easy to get distracted, let your mind wander, and play things that are easier and more comfortable. Set a timer and use that as a way to give the song your undivided attention. Work on difficult passages, smooth out the rough parts, and again, record yourself. It's hard to hear progress from day to day, so a recording is a good way to judge where you are and where you still need to be.
It happens to the best of us. We're learning songs, working on technique, feel like we're getting somewhere, and then we hit the proverbial brick wall! We seem to be getting worse instead of better, our motivation's taken a serious hit, and we're starting to wonder if this is as good as we'll ever be able to play. I see and hear this from my students all the time, and experience it myself too.
First things first, take a break.
It sounds wrong, but sometimes the best thing you can do is walk away. Take a few days or even a week or so and just do something else. My feeling is that we still practice in our subconscious mind, and taking a break is the same as going on vacation and not thinking about work. I've quit playing and working on a song and actually been able to play it better after leaving it alone for a while.
Make a to do list.
Record yourself, listen to how you sound, and make a to do list of things to work on. We're all our own worst critics, so be critical and write out exactly what was good and what needed improvement.
Set some goals for yourself.
After you've listened and critiqued yourself, set a deadline. Decide you'll master what you're working on, and hold yourself accountable. Be realistic and reasonable, but be hard on yourself as well. With a specific time frame in mind, your motivation will definitely improve.
Focus.
Now that you have the to do list and goals in place, work on being in focus. It's way too easy to get distracted, let your mind wander, and play things that are easier and more comfortable. Set a timer and use that as a way to give the song your undivided attention. Work on difficult passages, smooth out the rough parts, and again, record yourself. It's hard to hear progress from day to day, so a recording is a good way to judge where you are and where you still need to be.
Friday, August 3, 2012
Making Time to Practice
How Long Should You Practice, and How do You Find Time?
Beginning students, especially adults, seem to have a lot of trouble finding time to practice. The list of excuses is very long, and I believe I've heard almost all of them by now. Here are some tips to getting yourself into a practice routine.
Beginning students, especially adults, seem to have a lot of trouble finding time to practice. The list of excuses is very long, and I believe I've heard almost all of them by now. Here are some tips to getting yourself into a practice routine.
- Make the time. Yes, that's right, make the time. Like any other skill, playing guitar takes time, concentration, and commitment. A set time of the day is best, so schedule it like any other important appointment.
- You're too busy, really? I hear that more and more. Here's a hint: turn off the TV, close Facebook, put the computer to sleep and pick up your guitar. Just like exercise, practicing guitar will become a habit if you do it at a set time each day.
- Any time spent practicing is better than none. We all need to practice more, me included. The question I get from parents all the time is "how much time should he/she be practicing?" The general answer is 15 minutes or more, the practical answer is as much as possible. You don't have to spend hours, but playing every day is a lot better than 3 hours one day and then none the rest of the week.
- Find a comfortable space to practice in. If at all possible, find a place where you can practice that's quiet, away from any distractions, and preferably set up as a guitar practice space. Having your guitar on a stand is a good idea, since it's harder to ignore it when it's right there in front of you. Invest in a decent music stand so you don't have to waste valuable time locating your music, finding a place to put it, and then finally getting started on your daily practice.
Friday, July 13, 2012
Strength and Independence, Part 2
Playing guitar well involves building strength and independence in both hands.
The previous post suggested a left hand pattern to work on, now it's time to get the right hand moving as well. Once you can do the 1st, 2nd, 3rd and 4th fret exercise, you can start to build technique with your right hand as well.
Alternate picking and timing exercises.
Play the left hand exercises as before, but now play two of each note using alternate picking. Pick down on the first note and up on the second. While doing that, count 1 and 2 and 3 and 4 and. You should tap your foot and it should follow the same pattern as your picking hand, down on the number and up on and. Practice slowly, with a metronome, and once you're able to play the exercise flawlessly, add a few beats per minute. Beginning guitar players need to be patient, not rush, and build muscle memory.
A new exercise for the fretting hand.
Still using the position playing concept of one finger per fret, now play 2nd fret, 2nd finger, 3rd fret, 3rd finger, 4th fret, 4th finger and 1st fret, 1st finger. Go slow until your fingers land on the right frets, then add the metronome and the down and up picking.
Commit yourself to doing these exercises when you start your daily practice and you'll be surprised at how much easier it gets.
The previous post suggested a left hand pattern to work on, now it's time to get the right hand moving as well. Once you can do the 1st, 2nd, 3rd and 4th fret exercise, you can start to build technique with your right hand as well.
Alternate picking and timing exercises.
Play the left hand exercises as before, but now play two of each note using alternate picking. Pick down on the first note and up on the second. While doing that, count 1 and 2 and 3 and 4 and. You should tap your foot and it should follow the same pattern as your picking hand, down on the number and up on and. Practice slowly, with a metronome, and once you're able to play the exercise flawlessly, add a few beats per minute. Beginning guitar players need to be patient, not rush, and build muscle memory.
A new exercise for the fretting hand.
Still using the position playing concept of one finger per fret, now play 2nd fret, 2nd finger, 3rd fret, 3rd finger, 4th fret, 4th finger and 1st fret, 1st finger. Go slow until your fingers land on the right frets, then add the metronome and the down and up picking.
Commit yourself to doing these exercises when you start your daily practice and you'll be surprised at how much easier it gets.
Monday, July 9, 2012
What is Position Playing?
Position playing for beginning guitar players.
Position playing means using one finger per fret. So if you're playing in the 5th position, your 1st finger plays the 5th fret, your 2nd finger plays the 6th fret, your 3rd finger plays the 7th fret and the 4th finger plays the 8th fret. Position playing is extremely useful when soloing so you don't have to do too much extra moving back and forth. Most guitar teachers teach positions using scale patterns which will help you figure out which position to use.
Exceptions to the rule.
There are times when it will be necessary to go out of position by 1 fret in either direction. Some of the scale patterns need to be altered so that you're still in the basic position.
How fingering relates to scales and chords.
Every chord has a corresponding scale, so when you become more advanced you'll be able to visualize the scale that goes with that particular chord. Once you become more familiar with the guitar fretboard you'll be amazed at how logical it is.
The takeaway from all of this is to be patient, play slowly so that you develop muscle memory, and get in the habit of using one finger per fret. One of the most important things my guitar teacher did was to not let me get away with using the wrong fingers!
Position playing means using one finger per fret. So if you're playing in the 5th position, your 1st finger plays the 5th fret, your 2nd finger plays the 6th fret, your 3rd finger plays the 7th fret and the 4th finger plays the 8th fret. Position playing is extremely useful when soloing so you don't have to do too much extra moving back and forth. Most guitar teachers teach positions using scale patterns which will help you figure out which position to use.
Exceptions to the rule.
There are times when it will be necessary to go out of position by 1 fret in either direction. Some of the scale patterns need to be altered so that you're still in the basic position.
How fingering relates to scales and chords.
Every chord has a corresponding scale, so when you become more advanced you'll be able to visualize the scale that goes with that particular chord. Once you become more familiar with the guitar fretboard you'll be amazed at how logical it is.
The takeaway from all of this is to be patient, play slowly so that you develop muscle memory, and get in the habit of using one finger per fret. One of the most important things my guitar teacher did was to not let me get away with using the wrong fingers!
Subscribe to:
Posts (Atom)
Posts
